![]() ![]() (Confirms Rebecca Gutierrez: “Finish high school, then do music.”) Has he considered simply dropping out? “My mom would never let me do that,” he says. “I am not hyped,” he says, explaining that he and his parents have hatched a tentative plan with his school’s principal that would allow him to graduate by the end of this semester. Several days after our meeting, Glaive was due back in Hendersonville for a few weeks of classes before heading out on the road again. Yet he might be the only one balancing his growing fame - “I’d be down to randomly write a Taylor Swift song,” he says half-jokingly - with a return to in-person school. The rock-leaning 100 gecs is readying its first major-label album for Atlantic Records, while Midwxst is on the star-studded bill for this month’s Day N Vegas festival alongside rappers Kendrick Lamar and Travis Scott. Glaive isn’t the only hyperpop act inching toward the mainstream, nor is he alone in saying that a genre that emerged from a group of digitally connected pals has broadened to the point of meaninglessness. He didn’t necessarily need to come to the music industry’s capital, he clarifies: “I just brought the same laptop and the same mouse to the studio.” Still, waking up every morning in a nice Airbnb with a view of the Hollywood sign - “I mean, it was definitely a good time,” he says. But he traveled to Los Angeles for the first time early this year to assemble its follow-up, “All Dogs Go to Heaven,” with help from producers such as Nick Mira, known for his work with Lil Tecca and the late Juice WRLD, and Blink-182’s Travis Barker. ![]() Glaive made his debut EP, “Cypress Grove,” at home. So if I do get upset about a relationship thing, I’m never like, ‘F- them.’ It’s always like, ‘Damn, I’m sad.’” (Glaive stands 6-foot-4 but stoops in a way that makes him look slightly smaller.) “I don’t ever try to be rude or aggressive to anybody. “I have a few songs from the perspective of a male manipulator character, but that’s not how I am, I don’t think,” he says with a nervous laugh. He sang about whatever was on his mind, which as often as not was girls - standard procedure for emo boys across generations, though Glaive’s music eases up a bit on the harshly accusatory tone that defined emo in the ’90s and 2000s. Uninspired by remote learning, though, he began tooling around with recording software he’d find a beat online, then mumble his way to a melodic structure. But it was a lot.”īefore COVID, Glaive was a straight-A student, according to his mom. “I felt like I lost someone I knew, which is kind of corny. Peep’s death at age 21 from an accidental overdose in 2017 left him reeling. ![]() “The guitars and trap drums and heavy 808s - I’d never heard anything like that before,” Glaive says. Lil Peep’s moody yet polished emo-rap was a key discovery. ![]() At school he was a “serious, reserved, calm-ass, didn’t-talk little kid” at home he played video games, including one featuring the medieval weapon that gave him his stage name, and surfed SoundCloud. “It’s a small Southern town that definitely sleeps at night,” he says. Glaive was born in Florida but moved to Hendersonville, N.C., with his parents - his dad is a former professional polo player whose career was managed by his mom - after his father retired when Glaive was around 10. Music Kid Cudi on his ‘brother’ Kanye West, moviemaking with Leo and finally learning to love himselfĪ new Amazon documentary, ‘A Man Named Scott,’ artfully chronicles the mental-health journey of one of hip-hop’s most unlikely superstars, Kid Cudi. ![]()
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